2011 Year End Popcorn Jockey Report

2011 Box Office, you were a strange mistress. Or at least the most easily forgettable mistress on record. I mean, even Pixar made a completely forgettable film this year. I remember being excited this time last year, and now I barely remember what I was so excited for this summer.

So what went down in 2011?

Dreamworks actually made two movies better than Pixar. Marvel set up the Avengers home run next year with a double and a triple in one short summer session.  Tucked away in another season of uninspired BigDumbLoud™ sequels, we had two directors wring something unexpected out of decades old, well-worn franchises. The guy who made museum movies with Ben Stiller stuffed Rocky Balboa into a Rock’Em Sock’Em Robot and somehow made the best “Boy And His Robot” movie since Iron Giant. And Baby Goose and the Sidewinder pulled the rug out from under every other movie this year.

A while back I summed up all of my movie visit tweets, and in the rear-view mirror of my couch and X-Box, I went back and adjusted some scores. You can check those out back here, while the back half of the year is marked below:

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2011 Mid-Year Popcorn Jockey Report

Walking out of Rango earlier this year, my friends and I realized we were looking at a poster-filled lobby and were on the precipice of a jam-packed summer season. Talk about potential – almost every week for three straight months there was something one of us was mega-excited about.

Let’s see, we had 3 important Marvel movies plus a risky new DC entry, sequels to recent animated features, big ILM-fueled VFX extravaganzas, and the closing chapter to the most loved film franchise of all-time.

Since I normally tweet out a review right as I’m walking out of the theater, the only bias here is the anticipation I had walking in.  After the jump, there’s the breakdown of what I had to say on Twitter fresh from the end of the credit roll. It’s a long post.

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"People have forgotten how to tell a story. Stories don’t have a middle or an end anymore. They usually have a beginning that never stops beginning."

—Steven Spielberg